Arthur Bellange receives a subpoena to ‘The Pad’, an absurd work space environment inside a 16-storey-high building made out of steel, glass, and concrete. The diminutive, unassuming-looking man receives a box full of work material, when he enters a sort of open-plan office, which is situated in the cellar underground. He draws ascending lines, but eventually he brings the whole system toppling down with his soft revolution.