Buch Wien 26
Supporting European Stories – Literature from Southeast Europe
TRADUKI at the Vienna Book Fair 2026
Supporting European Stories – Literature from Southeast Europe
TRADUKI at the Vienna Book Fair 2026
This program featuring authors and translators from Southeast Europe is an invitation to explore the rich literary landscape of this diverse region. Participating writers come from Albania, Liechtenstein, Austria, Romania, Serbia, and Slovenia.
We look forward to having you join us on this journey. Visit us at our booth A38 in Hall D.
Screenwriter, film and theatre director Nina Kusturica talks about the writing and production process behind her latest film, Mama Sarajevo. In it, she returns with her mother from Vienna to Sarajevo to organise the sale of their family flat in Marijn Dvor (Marienhof) – 32 years after they fled. Her aim is to explore a place and what it means as a former homeland, both politically and personally.
Among other things, Maria Todorova’s writings served as the basis for an in-depth examination of aspects of belonging, the imperialist methods of the Habsburg Monarchy, and the use of the term ‘the Balkans’.
In cooperation with the Federal Ministry for Housing, Arts, Culture, Media and Sport of the Republic of Austria, Creative Europe Desk Austria and drehbuchFORUM Wien.
Michael Donhauser is the recipient of the City of Vienna’s 2026 H.C. Artmann Prize for Poetry. Since his 1986 debut, Der Holunder, he has, in the words of the jury, “presented, through impressive and continuous writing, an extensive body of work of outstanding literary significance.” The volume Unter dem Nussbaum. Lyrik und Prosa 1986 bis 2023 brings together previously published, scattered and thought-lost work, while also turning its gaze to new texts that begin to “beat their wings toward that place where what poems can do becomes visible.” Michael Donhauser will speak with Johanna Öttl about the old, the new and what is still to come.
An event by the Kulturstiftung Liechtenstein.
This novel tells a family story spanning two generations, from the 1970s to the present. Five family members take turns narrating their view of events — father, mother, the older brother with a criminal record, the younger brother with homosexual leanings, and the sister who is a single mother. Readers learn of tragic complications and misfortunes, often self-inflicted, which nonetheless always seem to come out of nowhere for those involved, until finally one piece of bad news after another befalls the family. All of this unfolds against the backdrop of harsh social transformation in Bulgaria, with everyone trying to save themselves as best they can.
In cooperation with the Bulgarian Cultural Institute Vienna / Haus Wittgenstein.
Lidija Dimkovska’s poems respond directly to the pressing questions of our time: existential crises, personal and collective remembrance, migration, rising xenophobia, and the loss of humanity and solidarity. Bold and unyielding, she names these problems in her poetry, becoming an important voice from the Southeast for all of Europe.
Lolita32 is a book full of action — unusual for a poetry collection, but self-evident for the poet who wrote it. Like Livia Ștefan herself, these poems are stormy and passionate, their rhythm hurried yet harmonious. The freshly printed collection captivates readers and does not let go until the very last page.
In cooperation with the Ministry of Culture of Romania.
Gerhard Ruiss, an author and musician from Vienna, and Steiner, the literary crew from Liechtenstein, meet at literary-musical crossing points — writing, singing and talking about the Viennese in Liechtenstein and/or vice versa.
An event by the Kulturstiftung Liechtenstein.
Since the competition began in 2009, 216 writers have been awarded the European Union Prize for Literature (EUPL), with many more nominated and presenting their work in the extensive selection process. The EUPL highlights emerging literary voices from countries participating in the EU’s Creative Europe funding programme. But how — if at all — can literature from so many languages even be compared? How does a multilingual jury work? What impact does the prize have, and who ultimately benefits from it? We introduce the EUPL and give the floor to nominees and laureates.
Lidija Dimkovska (North Macedonia), Tatiana Țîbuleac (Republic of Moldova) and Mathias Ospelt (Liechtenstein) discuss what the EUPL has meant to them and what impact it has had on their respective literary careers.
In cooperation with the Federal Ministry for Housing, Arts, Culture, Media and Sport of the Republic of Austria, Creative Europe Desk Austria, the Ministry of Culture and Media of the Republic of Croatia, and the Kulturstiftung Liechtenstein.
Michael Donhauser is the recipient of the City of Vienna’s 2026 H.C. Artmann Prize. “A pausing, a straightening up, entirely in black, a breath of attentiveness” — with these words, Michael Donhauser set out, nearly forty years ago, on the poetic flight that to this day has lost none of its height, verve or versatility. Carried by a wind that sets the rhythm — sometimes surging, shaking the trees and the roses, then subsiding again like a breath running through everything, “blowing in from afar and celebrating” — Donhauser‘s poetry has since explored the world verse by verse, looking around and listening, unfolding it and making it perceptible to the senses, in a body of work devoted solely to poetic perception.
An event by the Kulturstiftung Liechtenstein.
The novel Erste Töchter is the third part of Ljuba Arnautović’s autofictional trilogy, in which she uses her own family to tell a piece of 20th-century European history. Serbian translator and publisher Relja Dražić translated this novel into Serbian, as he did the first two parts, Im Verborgenen and Junischnee, weaving it into a wider European context. Günter Kaindlstorfer joins Ljuba Arnautović and Relja Dražić in drawing an arc from history to the present, addressing the highly topical themes of war, loss of homeland and migration.
In cooperation with the Forum Literaturübersetzen Österreich [Austrian Forum for Literary Translation].
Ein Mädchen sucht ihren verlorenen Hund und löst dabei eine Welle der Freundlichkeit aus, die eine ganze Nachbarschaft verändert. Das All-Age-Bilderbuch erzählt seine berührende Geschichte ganz ohne Worte, allein durch die Illustrationen, und zeigt eindrucksvoll, welche Kraft in kleinen Gesten steckt.
In cooperation with SKICA Vienna and the Slovenian Book Agency (JAK).
She is young — Dina, the dramaturg who, at just 30 years old, takes up one of the most prestigious positions at the Serbian National Theatre in Belgrade: head of the drama department. The National Theatre, by contrast, is anything but young, and is the rather conservative cultural flagship of a country that itself is often still fairly conservative. What begins as a success story for Dina turns into a spectacular mismatch. Nationaltheater weaves a fateful year in the life of an ambitious young woman together with the history of an institution. Both share a recent past marked by historical upheaval, the breakup of Yugoslavia, and war. In conversation with Marie Rötzer — dramaturg and successful director of festivals and various stages, now director of the Theater in der Josefstadt — the situation and development of drama stages will be discussed.
In this new short novel by Suzana Tratnik, intense stories unfold about origin, identity, love and rebellion. Many young women in Slovenia hope for a leap into freedom, for independence. They embark on adventures, including rough, sexual relationships and complicated love affairs. Adolescents not yet aware of their queer identity fight against prejudice in villages and small towns, or against speechlessness and loneliness in big cities. A new, fast-paced novel by the Slovenian author!
In cooperation with SKICA Vienna and the Slovenian Book Agency (JAK).
Two Croatian authors, two novels, two perspectives on history and responsibility. Ena-Katarina Haler‘s Die Schuldlosen leads into a border region shaped by the period after the Yugoslav wars, violence and silence, in which children carry the guilt of absent fathers and questions of right and wrong become existential. In his biographical novel Vošicki, Marko Gregur captures the interwar period: he follows the life of the Czech immigrant Vinko Vošicki, publisher of the great Yugoslav and Croatian author Miroslav Krleža, from his arrival in Croatia in 1909 to his death in 1957, telling a story of high expectations, broken promises and opportunism, but also of courage and civic bravery.
In cooperation with the Ministry of Culture and Media of the Republic of Croatia.
The past does not pass — it writes itself onward, into landscapes, families and bodies. Ena-Katarina Haler‘s Die Schuldlosen leads into a border region shaped by the period after the Yugoslav wars, violence and silence, in which children carry the guilt of absent fathers and questions of right and wrong become existential. In his biographical novel Vošicki, Marko Gregur captures the interwar period: he follows the life of the Czech immigrant Vinko Vošicki, publisher of the great Yugoslav and Croatian author Miroslav Krleža, from his arrival in Croatia in 1909 to his death in 1957, telling a story of high expectations, broken promises and opportunism, but also of courage and civic bravery.
In cooperation with the Ministry of Culture and Media of the Republic of Croatia.
This second novel by the multi-award-winning author Tatiana Țîbuleac, now available in German, tells of a migrant’s fate — as common as such fates often are, but rarely told so masterfully. Mila flees the post-Soviet chaos to Paris, but although she was an academic in the Republic of Moldova, in the European West she is at best sought after as a cleaner. The bottle becomes her only home — for her original homeland no longer exists. Yet Mila remembers: her childhood and her ambitious father, who from an early age took her to smoky cafés and artistic circles, though a life as an intellectual remained denied to him; and her most important relationship, a love triangle in which jealousy, manipulation and excess repeatedly resurface.
Schlag zu, sagt das Glück is novel about female self-assertion between East and West, and the harsh reality of exile and longing, whose laconic, poetic tone captures painful truths and offers a metaphysical home even amid vagrancy and uprootedness.
Since the end of the communist dictatorship in 1990, tens of thousands of Albanians have fled misery and hopelessness across the sea in search of a new life. Many thousands drowned in the process, forever missing. Arian Leka’s Stumme Karte für die Ertrunkenen is a great lament that gives shape and voice to the sea’s nameless victims.
A son of a ship’s captain, poet and literary scholar, Arian Leka is one of the most prominent voices in contemporary Albanian literature. From newspaper reports, poems, childhood memories and essays, he composes a carefully arranged mosaic full of moving matter-of-factness and devastating laconicism, rich in language and historical references.
In her second novel, Tamara Štajner tells a moving family story, tracing the difficult relationship between mother and daughter. After many years, the protagonist Iva returns to the place of her childhood to bury her beloved nanny. At the hotel on Lake Ohrid that once belonged to Iva’s family, she spent far more time with Marija than with her own mother. When Iva discovers a second name on Marija’s gravestone, she uncovers a family secret…
The journey into the past — intense, moving and repeatedly funny — ultimately also leads into the future, in which Iva tries to start a family of her own. Luft nach unten is a novel that traces a family history shaped by very different women.
In cooperation with SKICA Vienna and the Slovenian Book Agency (JAK).
Literature lives on language — a truism. But what happens when authors draw on not just one, but several languages or language varieties? Anton Beck weaves passages in the Liechtenstein dialect into his texts — dialect, normally only spoken, printed here in black and white. Katharina J. Ferner writes poetry in both the standard and the dialect and brings it to the stage as a performer. Thomas Podhostnik, the son of Yugoslav guest workers, poses a fundamental question: to whom does the language belong, and to whom do the stories belong? A conversation about language as identity, a boundary and literary material.
In cooperation with the Kulturstiftung Liechtenstein.
For more than two decades, the states of the Western Balkans have been waiting for EU accession; the Republic of Moldova, too, is in the midst of the negotiation process. What is holding up enlargement, and what does the long wait mean for people in the region?
Writer and former North Macedonian Minister of Culture Robert Alagjozovski, Southeast Europe specialist and journalist Franziska Tschinderle, and Albanian author Arian Leka discuss progress, setbacks and prospects for EU enlargement in the Western Balkans, moderated by Vedran Džihić.
In cooperation with the Federal Ministry for Housing, Arts, Culture, Media and Sport of the Republic of Austria and Creative Europe Desk Austria.




























Information about our TRADUKI programme at past editions of the Buch Wien can be viewed here: